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Sylvia Pankhurst

On a Pot Bank: Finishing Off the Edges of the Unbaked Plates on a Whirler

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About the artwork
Sylvia Pankhurst’s lifelong interest was in the rights of working women, and in 1907 she spent several months touring industrial communities painting and writing about the working and living conditions of women workers. Pankhurst observed women as assistants to male potters in lower paid, physically demanding unskilled roles in every pottery she visited, making this painting a rare example of a woman working alone at a skilled activity. Inequality was not the only hardship facing the pottery workers however, as Pankhurst wrote of hazardous conditions where workers inhaled powdered flint dust from the scouring of newly baked unglazed pottery and inhaled the fumes of lead glaze, and earned only 7 shillings per week.
  • Artist Sylvia Pankhurst
  • Artwork On a Pot Bank: Finishing Off the Edges of the Unbaked Plates on a Whirler
  • Material FSC certified paper and wood
  • Date of work 1907
  • Credit Sylvia Pankhurst On a Pot Bank: Finishing Off the Edges of the Unbaked Plates on a Whirler, Gouache on paper, 44.5 x 32.3 cm, Purchased with funds provided by the Denise Coates Foundation 2021 © Estate of Sylvia Pankhurst
  • Colour Multicolour

ABOUT THE ARTIST

Sylvia Pankhurst (1882–1960) was a British artist, activist and writer. A prominent figure in the suffragette movement, Pankhurst’s ambition as an artist was always to create work in the service of social causes. After training at the Manchester School of Art and the Royal College of Art, London, she created works for the WSPU (Women’s Social and Political Union) highlighting the working conditions and important contributions of women workers to underline the need for equal pay and rights, as well as designs for banners and emblems including the famous ‘angel of freedom’ graphic. She eventually gave up painting and drawing in favour of other aspects of her political activism, and was a lifelong campaigner for socialism, Irish independence, anti-colonialism, and anti-fascism. Tate held an exhibition of her artistic works at Tate Britain in 2013–14.
DELIVERIES AND RETURNS
Delivery times
We aim to deliver custom prints within 2-4 weeks. As each print is handmade to order they take a little longer to prepare. We’ll dispatch your order as soon as it is ready, separately from any other items.
We currently offer free standard delivery on all UK orders over £60. Here’s more information on delivery.
Refunds and returns
As custom prints are made to order, unfortunately we cannot accept returns if you have changed your mind or made a mistake. If we have made a mistake, or there is a problem with your order, then please contact our customer service team at shop@tate.org.uk.
Here’s more information on refunds & returns.
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FREQUENTLY ASKED QUESTIONS

When will my order be delivered?

We aim to deliver your made-to-order custom print within 1-2 weeks for UK orders, and within 2-4 weeks for international delivery. You can see an estimated delivery date on the product page, on the green banner above the size and frame options.

Our custom prints are produced and shipped directly from our print workshop and arrive separately to all other items. You can learn more about delivery here.

I've made a mistake, can I amend my order?

The best thing to do is email us as soon as possible at shop@tate.org.uk or call us on +44 (0)207 887 8888 with your order number, ideally within 24 hours. Please note that as custom prints are made to order, if production has already started, we won’t be able to make any amendments to the print itself, but we can change your delivery name and address if the order has not been dispatched yet.

I've changed my mind, can I cancel my order?

As custom prints are made to order, unfortunately you can’t cancel your order after production has started (typically within 24 hours). If you get in touch with us within 24 hours, our team will check on the status of your order and do whatever they can to help you out. 

Can I return my print?

Because our prints and frames are made to order, custom prints can only be returned if they’re faulty or we’ve made a mistake. If this is the case, please contact us straight away with details and images of the problem, so we can arrange for a refund or replacement for you. You can find further information regarding refunds and returns here.  

Why do some artworks have fewer size options available?

The sizes available on the product page are calculated to offer the best reproduction of the artwork, and have been approved by the artists, their estate, or the owners of the original piece. In some instances, the size and nature of the original artwork mean that the larger print size options wouldn't represent the artwork in the high quality it deserves, so size options are limited to achieve the best possible print.

Are the artwork details included on the print?

The artwork credit line is included at the bottom of the white border of the print.  This usually includes the artwork title, year of creation, artist’s name, and copyright information. This features on all prints, but if you’ve ordered a framed print, the credit information will be hidden by the mount and frame.

More questions? Visit our FAQs page
Gloved hands assembling a black framed art print with care.

About Our Prints

Our custom prints are high-quality, made-to-order fine art print reproductions of Tate collection and exhibition artworks. Available in a choice of sizes and hand-made frames, they’re created using state of the art technology and sustainably sourced materials by our Sussex-based print specialists.
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