Rachel Jones

Rachel Jones has generously produced a limited edition print to coincide with the display of her work, lick your teeth, they so clutch, 2021, in the major gallery-wide rehang at Tate Britain.

For her limited edition, titled !!!!!, 2023, Jones created a new painting as part of a series she is currently working on. The painting was captured on a high-resolution scanner and produced as textured pigment print. The pigment, which is cured with UV light, is built up in layers to recreate the tactile painted surface, suggestive of a physical, embodied and intuitive approach to mark-making. Jones was keen for the limited edition to be faithful to her painting, opting to have the work printed on the same canvas material she uses and hand-finished with her distinctive irregular, raw edges.

Each print is accompanied by a certificate which is signed and numbered by the artist. The print has a hanging device on the back and can be mounted directly on the wall. Prices of the artwork are liable to change. As a limited edition sells out, prices of the artwork are subject to increase and the price will be clearly indicated

• Artist Rachel Jones
• Artwork !!!!!
• Dimensions 23 x 28 cm
• Material UV pigment texture print on canvas with hand-finished edges, mounted onto aluminium
• Edition Edition of 50, accompanied by signed and numbered certificate
• Date of work 2023

Rachel Jones (b.1991, London, UK) works in paint, performance, sound and installation to explore a sense of self as a visual, visceral experience. Her paintings are a site of tension through their kaleidoscopic palette, boldness of competing forms and interplay of textures. The figure is notably abstracted in her works, as Jones is interested in ‘using motifs and colour as a way to communicate ideas about the interiority of black bodies and lived experience’ (Jones, in conversation with Tate curator Nathan Ladd, March 2021). Her expressive use of colour becomes a way of provoking or communicating with viewers, who bring their own lived experiences and cultural backgrounds to the interpretation of her works. This sense of community and shared history comes to the fore in her installations and performances, in which imagery, sound and music coalesce in a celebration of Black culture.

Recent solo exhibitions include: Hey, Maudie, St James’s Piccadilly, London, UK (2023); Red, Forged, Thaddaeus Ropac, Salzburg, Austria (2023); a shorn root, Long Museum, Shanghai, China (2023); say cheeeeese, Chisenhale Gallery, London, UK (2022); SMIIIILLLLEEEE, Thaddeus Ropac Gallery, London (2021); A Sovereign Mouth, 12.26, Dallas, TX, USA (2020); Red Shaped Mouths, The Chinati Foundation, Marfa, TX, USA (2019). Her work has been exhibited in group exhibitions at The Hepworth Wakefield, Wakefield (2023); Hammer Museum, Los Angeles, CA (2023); Hirshhorn Museum, Washington, D.C. (2022); Hayward Gallery, London (2021) and Royal Academy of Arts, London (2018), among others. Her work can be found in prominent institutional collections, including those of the Long Museum, Shanghai; Stedelijk Museum Amsterdam; Baltimore Museum of Art, Maryland; Museum of Contemporary Art (MOCA), Los Angeles; The Studio Museum in Harlem, New York; and Tate, London. She lives and works in London, UK.